Free shipping for many products! Ilisa Barbash is a director and editor, known for Sweetgrass (2009), P.O.V. To Make Their Own Way in the …

Barbash’s book, “Where the Roads All End: Photography and Anthropology in the Kalahari” (2016) was awarded the Society for Visual Anthropology prize for best book about anthropology and photography. : Sheffield & AFI Docs Signal the Summer Fest Drought, Women Film Directors: Active in past decade+, MAKERS: A Yearlong Film Viewing Balancing Act, What to Watch if You Miss the "Game of Thrones" Cast. Find many great new & used options and get the best deals for Barbash Ilisa-To Make Their Own Way In The W HBOOK NEW at the best online prices at eBay! Her most recent project is the book, Where the Roads All End (2015) about the Marshall Family Photographic Collection and the visual representation of the Ju/'hoansi in 1950s Namibia.

Through Focusing on the Newton South girls’ experience of Newton South, in relationship to boys, we begin to learn understand why and how many diverse voices remain in the margins of not only in high school debate but also on the national stage. Director, Producer, Cinematographer, Editor Lucia Small is known for her boundary-pushing, first person non-fiction work, tackling gender, class, race and filmmaking ethics. Ilisa Barbash is curator of visual anthropology at Harvard University’s Peabody Museum of Archaeology and Ethnology.

Ilisa Barbash & Lucien Castaing-Taylor, 101 min, 35mm. Plus, free two-day shipping for six months when you sign up for Amazon Prime for Students. Looking for a slightly scary movie to watch this Halloween? (1988) and In and Out of Africa (1992). Ilisa Barbash: Harvard’s Peabody Museum Curator of Visual Anthropology, Co-Director, Co-Producer, Second Camera Ilisa Barbash co-directed/produced IN AND OUT OF AFRICA (1992, ZDF-Arte 1995) and SWEETGRASS (2009, POV 2011). Up to 90% off Textbooks at Amazon Canada. “To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes,” edited by Ilisa Barbash, Molly Rogers and Deborah Willis, convenes a group of scholars of slavery, American history, memory, photography and science. Their aim is to tell “more fully the complex story of … As one of the best in the country, the team is also one of the most ethnically diverse, with an unusually large percentage both of first generation Americans and of girls. Lisa (Ilisa) Barbash is Curator of Visual Anthropology at Harvard's Peabody Museum of Archaeology and Ethnology where she makes films, and writes books and curates exhibitions about photography. Choose an adventure below and discover your next favorite movie or TV show. Many of our top female politicians – Hillary Clinton, Kamala Harris, and Elizabeth Warren were former high school debaters. THE AXE IN THE ATTIC (2007) also screened at The New York Film Festival, Cinema Du Reel and the Human Rights Watch Film Festival, distributed by IndiePix and /Cinema Guild, and is available on Netflix.

SWEETGRASS premiered at the Berlinale and NYFF, and was a best documentary nominee for two Independent Spirit, Gotham, IDA and two Cinema Eye Awards.

Check out our picks for movies that (hopefully) won't keep you up at night. Her next two films were both supported by the Sundance Institute and premiered at the prestigious New York Film Festival. Looking for something to watch? Statistics reveal debate is male dominated with more boys debating overall, and a disproportion number of them winning rounds and championships. ONE CUT, ONE LIFE (2014), workshopped at the Sundance Institute Documentary Story and Edit Labs, Full Frame Documentary Film Festival and opened theatrically (First Run Features) to multiple critics’ picks. See full bio » Ilisa Barbash is a director and editor, known for, 2016 Indie Spirit Winners, Scorsese Talks ‘Rocco,’ the Themes of ‘Tangerine,’ and More, Close-Up on “Sweetgrass”: Experiments in Aesthetics and Ethnography, What’s Up Doc? Shot over three years, and told from the point-of-view of articulate, motivated teenagers, Against Goliath’s 3-Act story follows the journey of a group of first year of debaters, aka “novices,”, as they discover the power of their voices and become the new team leaders on their nationally-ranked public high school “Public Forum” debate team ¬– Newton South of Newton, Massachusetts. She is codirector of the films In and Out of Africa (1992) and Sweetgrass (2009). (2009).

To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes [Barbash, Ilisa, Rogers, Molly, Willis, Deborah, Gates Jr., Henry Louis, Weems, Carrie Mae] on Amazon.com. Together they co-wrote Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Video, and co-edited The Cinema of Robert Gardner.

Lisa (Ilisa) Barbash is Curator of Visual Anthropology at Harvard's Peabody Museum of Archaeology and Ethnology where she makes films, and writes books and curates exhibitions about photography. Ilisa Barbash: Harvard’s Peabody Museum Curator of Visual Anthropology, Co-Director, Co-Producer, Second Camera Ilisa Barbash co-directed/produced IN AND OUT OF AFRICA (1992, ZDF-Arte 1995) and SWEETGRASS (2009, POV 2011). Barbash is the author of Where the Roads All End: Photography and Anthropology in the Kalahari (2016), which was awarded the John Collier Jr. Award for Still Photography. Produced by Ilisa Barbash Recorded by Lucien Castaing-Taylor Sound Editing and Mix / Ernst Karel Colorist / Patrick Lindenmaier 101 min, 35mm, 2009 New Yorker, Movies' Pick 2010 New York Times, Critics' Pick 2010 Village Voice, Film Pick 2010 Washington Post, Critics' Pick 2010 Best Feature, 2010 Play-Doc Festival, Spain In a time of intense ideological division, when alternative facts compete with truths, and gender bias grows more prevalent each day, Against Goliath tells the inspiring, uplifting story of a co-ed public high school debate team who strive together, not only to win, but also to become better informed, committed and collaborative global citizens. We have completed more than 65 percent of principal shooting and will shoot the 2017-2018 debate season. *FREE* shipping on qualifying offers. She co-wrote “Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Video” (1997), and “The Cinema of Robert Gardner” (2007). MY FATHER, THE GENIUS (2002), distributed by New Yorker Films/CS Associates, garnered numerous top international festival prizes awards and and aired on the Sundance Channel. She made the films In and Out of Africa (1992), about authenticity and taste in the transnational trade in African art, and Sweetgrass (2009), about contemporary sheep ranching in Montana (with Lucien Castaing-Taylor.) We have begun editing scenes and plan to have a rough cut by summer 2018.